Lorraine
LoriHeuring
Sex |
|
Female
|
Quote:
"That
Bastard!... You Bastard!"
|
Age |
Late 20s
|
Address |
6980 Mulholland Dr.
|
Occupation |
Housewife
|
Family |
Adam
|
Relationship |
Gene
|
Doppelganger |
Camilla?, parental figure?
|
Lorraine,
the person caught in the infidelity, is also the person indignant about the
actions of Adam in the situation. I believe that this is because Lorraine is a
very complex symbol, alternating between representing Diane in her guilt and
representing Diane's mother figure in her indignation. Her blonde hair is longer
than Diane's and so, although I believe that a relationship to Diane is being
indicated, Lorraine is not like other blonde doppelgangers in the film who have
short blonde hair. The longer hair is probably indicative of greater age, like
the mother figure. And I believe that there is more color symbolism
involved.
Black and blue come up in many contexts, for this reason, I believe that
Lorraine's black underwear indicates that she represents a person with power in
Diane's life, again, like the mother figure. But when Lorraine puts on a blue
dress, the symbolism changes. The blue dress tells us that Diane is
experiencing a terrible transition from innocence to a more victimized and
traumatic state. Lynch reinforces this interpretation by having the pink paint
splatter on both Adam and Lorraine because they both were affected by the trauma
suffered by the pinkish Diane in different ways. But the pink paint stays on
Adam for quite awhile to indicate that the experience left a mark on Diane that
would not go away.
This color narrative tells us that Diane was forever scared by a
traumatic incident involving incest as a child. However this is not the only
evidence of this event in Diane's history. Other clues make reference to it as
well, but the fact of the matter is that the color narrative shows us this
information once we have learned how to read Lynch's language of symbolism. -
(Alan Shaw)
For those who
believe that the scene with Lorraine and the poolman is a reenactment of
Diane’s childhood abuse, it is very interesting to notice that the next line
Betty says is "Let’s hide it". This adds to the perception that the
whole middle of the movie is one prolonged scene revealing Diane’s troubled
past, although superficially we see scenes that shift between different
characters. This complex scene develops because the Rita and Betty characters
are interacting in Ruth’s apartment, their synergy is bringing out what can
not be hidden. - (romdal)
Trivia
Coincidence? -
Note the similarity:
Thread:
So I got the pool and she got the pool man!
- (Bob Brooker)
Related:
Gene
Sexual abuse