Xav wrote:...
'When two separate events occur simultaneously pertaining to the same object of inquiry, we must always pay strict attention'?
...

“For a long time I championed digital. I fell in love with digital in building a website, and that carried into Inland Empire. And recently, I was working on the deleted scenes from Twin Peaks. For the first time in a long time I saw images shot on film. And I was overwhelmed by the depth and the beauty that celluloid and film can give. It has such a depth and such a beauty.”

blu wrote:Hallelujah

Like the viewer, Agent Cooper is trying to make his way through this web of complications. Each clue to the murder and each posture of a suspect is in excess of itself, sticky with the complications and connections of multiplicity. As the interpreter of signs, Cooper never ceases making connections, linking up semiotic chains, bringing new dimensions of time - dream time, historical time, baseball time - into play. Cooper accepts the violence of signs. He is affected by the encounter. In the Tibetan forest scene, for instance, the letter `J' and a disjointed dream affect his body in such a way that its cognitive faculties are redistributed to create a body with an open assemblage of organs; a body set free from the organism. the police force turns into a giant brain, relaying its thoughts back and forth between a bucket, a milk bottle, and a blackboard. Along with Zarathustra, Agent Cooper might exclaim: "in an instant I shall be nothingness . . . the complex of causes in which I am entangled will recur - it will create me again! I myself am part of these causes of the eternal recurrence."8