Siku wrote:But I'm looking for
something else. The shortest distance between two points.
Parsimony. An explanation that is true to the classical interpretation, or at least disrupts it as little as possible, but also takes into account the DeRosa/Rhodes doppelganger phenomenum. If it turns out to be the thing that unravels the classical theory, that's fine.
Camilla is real. DeRosa is real. They aren´t „doppelgänger“. Both have just dark hair and big breasts. This is no phenomenum.
There are millions of women on earth with dark hair and big breasts.
I´ve already given you my explanation of DeRosa. This is the shortest distance between two points.
DeRosa changed her appartment #17 with Diane´s appartment #12. But why? What are the reasons that anybody would do such a thing? And how do we know that this is the truth?
1. Diane is short of money. By loosing Camilla, she is loosing her income source (small roles in Camilla´s movies) and she takes most of her money to pay the hitman. She lives in #12 a bigger and more expensive appartment in a good condition.
2. DeRosa lives in the smaller and less expensive appartment #17. It´ s not in a quiet good condition.
3. DeRosa desires Diane.
4. DeRosa has similarities with Camilla. (dark hair, big breasts)
5. They changed appartments 3 weeks ago.
6. Diane´s relationship is broken. She was betrayed by Camilla. She is lonely, she is sad...
When you combine these facts you got the story:
After the break up between Diane and Camilla, DeRosa sees a chance to get in love with Diane. She is making Diane offers. Diane uses DeRosa to get over Camilla. Maybe they got a sexual relationship. Diane is using the fact, that DeRosa falls in love with her. She asks DeRosa, if they could change appartments, because she is short of money. DeRosa agreed. She is hoping that this will stick Diane to her. But after changing appartments, DeRosa realizes that Diane isn´t interested in her. It´s a one way love. (I think most of us have similary experiences.)
Her are the evidences:
Fact 1, (2) , (3) , 4 , 5 and 6: we can see/hear it in the reality scenes. (Party, Winkies, Diane talking with DeRosa).
You have to watch the acting and interacting (Diane-DeRosa).
Fact 2 is underpinned in the dreamscene, when Betty and Rita are exploring the appartmentcomplex and are talking to DeRosa. We can compare the facades of the appartments and we just have to watch the acting of DeRosa (look how she is reacting after betty mentioned the name Diane; and notice the disregarding look at Rita)
So far, I can imagine that this theory is not new. But here is the aha-moment:
Fact 3 can be proofed in a more hidden way:
Watch this scene:
The telephone conversation between Adam and his secretary, Cynthia. (at Park Hotel)
Adam, betrayed, broke and solitary (like Diane) is calling Cynthia. She has similarities with DeRosa.
At the end of the conversation, Cynthia is making him some clear offerings. (Cynthia is DeRosa)
Adam calls Cynthia a little doggie. Remember the dog dirt at Havenhurst. (to dog somebody...)
(Then go back to the scene, when Betty and Rita are talking to DeRosa:
The telephone is ringing. DeRosa is saying: I´ve got to get that! ...just like a secretary...
Posted: 12 Feb 2013
