LevelsOfInterpretation
narrative
layers in overview - (HarryTuttle)
MD is constituted
of a bunch of layers overlapping, half see-through sheets of paper where reality
prints in different language, here is my suggestion of structural construction
of the movie:
1.
degree
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screenplay
A young
unsuccessful actress, an amnesiac seeking identity, a director who lose
control, an unknown dead body. BREAK. A waitress who lost her illusions
and contracts a hitman. a suicide.
This makes
little sense, and requires a follow up (sequel) to understand the
narration gaps. But MD contains the answers within itself, so a re-reading
will reveal another level of understanding, deeper in the mystery.
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2.
degree
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Dream
Betty is
Diane's fantasized image, likewise Rita is Camilla's fantasized image, in
Diane's dreamt up reality. So the movie is a mirror of reality and dream
of the same events.
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3.
degree
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De
Rosa
DeRosa is
actually Diane's partner more than was ever Camilla, so Diane transfer her
relationship with the "girl next-door" onto a rich glamorous
actress. So most of the movie is like if Diane tell us (or herself) a
beautiful story, exaggerating reality with emphasis and mythomania. She
tells us about her dream.
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4.
degree
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Dan
Dan is obsessed
by a vision of a monster (the censorship of subconscious: expression of a
repression, of a terrible truth that cannot be worded) and introduce us to
his demons impersonated by (his anima) Diane's life (where
all are 1 person: Diane/Betty/Camilla/Rita the multiple aspects of his
inner conflicts dealing with theoretical studies of desire/repressed
love/wish to kill/social oppression...) We look into Dan's (Diane
- I guess someone already noticed that) analysis.
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5.
degree
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Lynch
Lynch uses this
movie to express his fears and disappointment about movie illusions in
particular, and about love subconscious feelings in general. He writes to
relieve himself, and encrypt it with dream symbols, by a transfer of
himself into Dan and Adam.
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6.
degree
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Jung
All belongs to
the collective subconscious that even escapes Lynch's awareness,
unintended symbols, Freudian slips, non-rational development, dreamy stuff
visions (his springing ideas that feed his work=emotional inspiration),
and the decoding of this teach us about each and all of us, because those
fears, demons, desire, taboos work the same for everyone.
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So we can interpret
symbols that belong to each level, relevant to each purpose of the specific
level. And for instance to interpret 'wild' symbols that Lynch didn't create
willingly is not relevant to MD, but to human kind in general (6th degree). And
to stop at level 1 is to refuse to see the hidden meaning of things, Lynch
manipulates reality to drive our curiosity in places we are scared of...
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